The CASCADE Noise™  Burn-in Disc

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Taralabs cascade noise burn-in CD Download links

Mirror Links :

http://rapidshare.com/files/212446770/cascade.zip.001
http://rapidshare.com/files/212448870/cascade.zip.002
http://rapidshare.com/files/212458682/cascade.zip.003
http://rapidshare.com/files/212463633/cascade.zip.004
http://rapidshare.com/files/212472721/cascade.zip.005
http://rapidshare.com/files/212489543/cascade.zip.006
http://rapidshare.com/files/212513236/cascade.zip.007

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วิธีใช้ CASCADE Noise Burn-in Disc:
• Load the disc into your CD player or transport.
• Turn the volume to normal listening levels.
• Play in “continuous” or “repeat” mode for as many hours as is possible.
• Time to effect significant change will vary by system. A discernable difference will be evident after a conditioning session of sufficient length.
• Repeat as often as possible until no discernable difference is evident. Your system is
now conditioned to optimum performance levels.
• Should you change any components in your system  conditioning should be repeated.

ข้อห้ามในการใช้แผ่น TARALABS CASCADE NOISE BURN-IN CD

Download the .zip file and upzip onto your desktop. Burn a CD from the Audio CD File – Do NOT Convert to any other format, like .MP3 or .WAV

คุณสมบัติ
Although there have been other so-called “burn-in” test discs used by audiophiles in the past  the discs have mostly been a mix of pink noise and sweep tests tones. The new CASCADE Noise Burn-in Disc is a proprietary combination of white noise with
frequency tone bursts and pink noise mixed at different levels. However  what makes it really effective is a series of descending and ascending (cascading) multi-octave square wave sweeps for better and more complete results than any “burn-in” discs that have been made to date.

The CASCADE Noise Burn-in Disc may be used with any audio electronic component
and with audio cable including cables with attachments such as batteries or filter
networks. Before and after results will be obvious with any of these cables.

The phenomenon commonly referred to  as “burn-in” is confusing to some people. I
prefer to think of the phenomenon as the conditioning of the system with continued use.

Normally we think of the audio system in the macroscopic world with chasses  cables andterminals. But the phenomenon of burn-in is actually a polarization of effects at a
microscopic level. This microscopic world might be as little as a few thousandths of an inch along the length of conductors within a cable  the thickness of one to 3 sheets of paper. At this level one can almost visualize the subtle electromagnetic waves around the conductive wire. These waves are moving through the dielectric (primary insulation) around the conductor. There is a problem at this microscopic level  not all frequencies carried by the electromagnetic waves will pass at the same amplitude at every point in the length of the conductive wire. For example  at some point along the conductor  there may be a tiny point of oxidation  and this will limit the range of high frequencies that can pass easily at the same amplitude  perhaps turning AC into DC and creating random audible noise in the cable. At other points  imagine air-gaps between the conductor and the insulation near the conductor surface. These tiny differences cause changes with respect to the different frequencies that are “stored and released” from conductor to dielectric and back again.

In the macro world of the devices within the audio components  similar effects are
designed for deliberate and specific functions. The devices used are called “diodes” and “capacitors” and they are designed to limit the frequency range in different ways.

In the audio components of the audio system  the stabilization of these component
devices is optimized when the audio component has been turned on and in continued use for a period of time. This optimal condition is enhanced by the continued use of the audio components in any audio system. Loudspeaker systems may require over 200-300 hours of use before the individual drivers can “break-in” mechanically. Depending on the design topology and the particular electronic devices within the audio components  audio electronics require many hours to hundreds of hours to become properly conditioned and stabilized.

All brands of cables from the simplest designs  to the most complex  require conditioning and stabilization  ranging from those that utilize very minimal amounts of dielectric or plastic layers in their construction  to those that use multiple layers of plastics and/or complex multi-conductor arrangements.

Within a cable  in the microscopic world around the audio conductors  stabilization
happens when the electromagnetic wave of the musical signal  a continuous AC
waveform  travels uniformly through as much of the tiny diode-like or capacitor-like
sections along the conductors within the cable.

The new CASCADE Noise Burn-in Disc is designed to completely condition the
capacitive and diode-like effects within audio components and audio cables. The result is a more coherent and extended high frequency reproduction without glare  along with a sense of ease in the listening experience. This will be noticed after just a few hours of using the CASCADE Noise Burn-in disc. Continued use of the disc  for just a few hours at a time  or when you are able to run your audio system at normal listening levels for many hours at a time will be extremely beneficial in improving the performance of all.


This entry was posted on Thursday, December 11th, 2008 at 6:45 pm and is filed under Audiophile, Hifi. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.